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【Core Rules】

1. Zero-delay chaining: Zero buffer between moves; the next strike begins before the last one lands, and the blades remain in constant, high-frequency contact.
2. Action-driven scene transitions (critical): Any change of setting (pillar → floor → crossbeam → main hall) must be caused by a specific character action—for example, “the male lead is knocked back into a temple pillar,” “the female lead uses the momentum to flip down from the top of the pillar and slam toward the floor,” or “the two crash through a row of candlesticks while grappling and tumble down the steps.” Never allow the camera to change settings on its own while the characters’ actions remain discontinuous.
3. Realistic impact and weight: Every blade clash must produce clear physical movement—a parried fighter’s arm jolts back and they stumble half a step, their feet slip, or their body twists from the force. They must not simply stand still and trade blows; every hit must carry realistic weight and momentum.
4. No purposeless camera movement: At all times, camera movement (push-ins, orbiting, whip pans) must follow a specific ongoing physical action. Never show the characters standing still while the camera rotates or orbits on its own.
5. Close-quarters near-miss moves: Weave in the following specific moves throughout the video without repeating any of them:
• Ground-level dodge: One fighter sweeps in with a slash; the other suddenly leans back almost to the ground. The blade just grazes past their nose, cutting off strands of hair.
• Straight-thrust counterattack: While dodging, the fighter thrusts straight back with the sword point.
• Spinning parry: The fighter targeted by the thrust spins rapidly in place to evade it, simultaneously turning their wrist to parry the next strike.
• Rolling recovery counterattack: After being knocked down, one fighter rolls on the ground and uses the momentum to launch directly into a counter-thrust.
• Close-range blade bind: The two swords lock together. The fighters grapple shoulder-to-shoulder at close range, then suddenly push off at the same time and reset their stances.

【Shot Control 0:00–0:30, continuous action with no jump cuts】

[0:00–0:02] 35mm wide angle, low-angle ground-level tracking shot, following the fighters’ charge
The female and male fighters sprint toward each other at full speed from opposite ends of the main hall. At the instant their blades clash in the center, they drive into each other with force. The impact knocks them each half a step back, and the floor tiles crack beneath their feet, sending debris flying—open with an all-out collision, with no buildup.

[0:02–0:07] 50mm medium shot transitioning to close-up, camera tight to the fighters’ movements, fast handheld tracking
Close-combat sequence 1: The male fighter delivers a wide sweeping slash. The female fighter suddenly leans back, almost to the ground, dodging as the blade just skims above her nose and cuts off strands of hair that drift away. Using the rebound from her lean, she flips up to her feet and thrusts back toward the male fighter’s chest. He spins rapidly to evade while turning his wrist to parry. Their swords lock together; they grapple shoulder-to-shoulder for two seconds before driving apart at the same time, each staggering back two steps and catching their breath.

[0:07–0:09] 85mm telephoto tracking shot, setting transition driven by the characters’ actions
The male fighter is carried by the force of the impact into the dragon pillar behind him. Using it to rebound, he flips upward and runs vertically up the pillar, stepping on its coiled-dragon relief. The female fighter immediately springs after him, and they clash blades two or three times on the pillar, the blades scraping scorching marks across its surface.

[0:09–0:12] Telephoto tracking shot transitioning to a diving shot, the characters’ fall from above drives the scene change
The male fighter is driven to the edge of the crossbeam atop the pillar. The female fighter lands a heavy blow that knocks him off. Using the force of his fall, he twists in midair to adjust his position, sword point down as he dives into an attack. As he lands heavily on the main hall floor, he sweeps his sword horizontally. The female fighter leaps down from the pillar almost simultaneously and meets the blow head-on. Their swords collide in a shower of sparks, and both fighters’ arms visibly shudder from the impact—completing a natural transition from the pillar to the hall floor with the action uninterrupted.

[0:12–0:17] 50mm close-up, camera continuously following the fighters’ movements, with no empty-shot transitions
Close-combat sequence 2 (the densest exchange before the final battle): The female fighter delivers three consecutive slashes, changing direction each time and moving faster with each strike. The male fighter dodges the first by turning sideways and evades the second at ground level. For the third, he ducks beneath her blade to get in close and counters with a horizontal slash toward her waist. She barely evades with a backflip in midair; as she lands, the sword’s force cuts off a corner of her hem. The male fighter presses in with a thrust at the instant she lands. She narrowly turns aside, the point grazing her shoulder and ripping her fabric, then counters with a heavy blow that makes his sword ring with a metallic groan. He stumbles back two steps as though the impact has split the skin of his sword hand.

[0:17–0:21] Ultra-wide tracking shot as the fighters clash violently into the surroundings
Their blades lock as they grapple at close range, then they suddenly push apart and retreat. Almost simultaneously, they surge toward each other again. Their charge knocks over a row of candlesticks. The flames go out, then reignite from the lingering shockwaves of the swords. The fighters continue grappling at close range among the fallen candlesticks and splashing candle oil. Their blades collide in a dense shower of sparks, while their feet kick up layers of mist from the water on the floor.

[0:21–0:26] Alternate between close-up and wide shot, editing to follow the rhythm of attack and defense (no purposeless camera movement)
The fighters reach the fastest pace of the video: slashes, thrusts, parries, and counters follow continuously within two or three seconds. Every collision produces clear physical feedback—the female fighter staggers half a step from a blow, then immediately counters with another strike; the male fighter’s arm shudders violently after a parry, but he forces himself to counterattack. Blue-green sword energy winds into a spiral of light. Their breathing and the sound of clashing blades combine into a dense rhythm. Not a single frame shows them standing still.

[0:26–0:29] Ultra-wide shot, intense camera shake, following the final clash
At the instant their blades meet, both fighters unleash an all-out strike. The collision of their energies erupts into a wave of interwoven blue-green light that sweeps through the entire hall. The shockwave sends both fighters flying several meters backward, cracking the floor tiles and pillars. Most of the candles go out, smoke fills the temple, and the camera shakes violently before the image gradually loses focus and fades to white.

[0:29–0:30] Locked-off shot, action gradually slows
The smoke slowly disperses. Each fighter steadies themself, one on a knee and the other standing. Their chests heave, and their sword hands still tremble from exhaustion. The remaining candle flames flicker back to life, and the image freezes on a grand wide shot of the two facing off.

【General Restrictions】

Never redesign faces. Never change costumes. Never replace the temple. Never introduce additional characters. No face drift. No costume drift. No environment drift. No duplicated people. No dialogue. No narration. No subtitles. No text. No watermark. Throughout the video, the camera must follow the characters’ specific actions. Never let the camera rotate or move aimlessly while the characters are standing still.