Seedance 2.5: Phim ngắn sử thi khoa học viễn tưởng khiến bạn bay từ một ảnh

Chinese people can fly ✈️

Want to fly? Just enter your own photo along with the prompt below, and you can fly too ✈️😄

Seedance 2.5 prompt 👇

【Style】Sci-fi Epic Live-Action, ARRI Alexa 35 body + Panavision Ultra Vintage anamorphic widescreen lens, 2.39:1 widescreen aspect ratio, Tiffen Black Pro-Mist 1/4 diffusion filter, Kodak 250D film texture with visible yet delicate grain, red-orange halation around highlight edges, natural motion blur from a 180° shutter angle, preserve detail in the shadows without crushing them to black, 8K ultra-high definition, photorealistic, no anime look, no plastic CGI look

【Duration】30 seconds

【Scenes】Rise from the Earth's wasteland all the way upward, passing through thunderstorm clouds → stratosphere → low Earth orbit → Moon → asteroid belt → surface of the Sun

【Character】Main character (the same person throughout the entire film, with clothing and appearance completely based on the reference image)

[00:00-00:02] Shot 1: Standing with hands behind the back (85mm telephoto / Slow Dolly In)

Wide long shot: The main character @Image 1 stands with their back to the camera on a withered yellow grassland, both hands behind their back, completely motionless. The sky overhead is filled by a massive blanket of mammatus clouds, with only a bright strip of backlight along the distant horizon.

Image: The wind pushes the grass into waves that bend down in broad swaths, while the backlight outlines the edges of the grass with a soft, fuzzy golden rim.

Camera position: The 85mm telephoto lens compresses space as the camera slowly moves forward.

[00:02-00:04] Shot 2: Takeoff impact (40mm / Speed Ramp + Whip Tilt Up)

0.3-second slow motion: A circular shockwave spreads along the ground from beneath the feet of the main character @Image 1. The grass within a radius of several dozen meters is flattened into a concentric circle, while broken grass and dust shoot vertically into the air.

Then cut to full speed: They suddenly rise vertically into the sky, with only their legs exiting the top of the frame. The camera rapidly tilts upward to follow, is jolted by the shockwave (Camera Shake), and passes through the dust into the clouds.

[00:04-00:07] Shot 3: Center of the thunderstorm cloud (40mm)

The main character @Image 1 shrinks into a tiny black dot while rising vertically inside the cloud column, with the hands-behind-the-back pose unchanged. Blue-white lightning explodes repeatedly throughout the surrounding clouds; each flash briefly illuminates the clouds, compressing their silhouette into a black dot against the glowing cloud curtain.

Camera position: Follow the ascent as the cloud layer rapidly recedes toward the bottom of the frame; the anamorphic lens slightly stretches the edges of the image.

[00:07-00:09] Shot 4: Breaking through the cloud tops (50mm / Backlit Emergence)

The backlit main character @Image 1 breaks through the golden cloud layer, punching a funnel-shaped opening in the clouds behind them as a warm golden halo bursts from their back.

Image: Strong backlight burns a red-orange halation around the outer edge of their silhouette; the highlights bloom through the diffusion filter without overexposure.

[00:09-00:13] Shot 5: 360° orbit in the stratosphere (50mm / Full 360° Orbit)

Image: The main character @Image 1 hovers motionless above a sea of clouds, both hands hanging at their sides without moving and never turning around. The upper half of the sky is already deep brown-black near outer space, while the cumulus cloud sea below is dyed gold by the setting sun.

Camera position (00:09-00:12): Starting behind them, the 50mm lens circles around them at a constant speed for one complete rotation—passing their side, front, and other side in sequence, finally returning behind them. Throughout the orbit, the camera maintains the same distance from them, and their size in the frame remains unchanged.

Camera position (00:12-00:13): The camera stops behind them and remains still. From this rear view, they suddenly accelerate vertically upward, instantly shrinking into a small dot and flying out of the frame, leaving only the empty golden sea of clouds.

Pacing: This section should be slow; it is the breathing point of the entire film.

[00:13-00:15] Shot 6: Sprint through Earth's orbit (40mm / Side Tracking + Vapor Cone)

Hard cut to an extreme close-up: The main character @Image 1 flies in a diving pose, body leaning horizontally forward with arms extended, while their clothing is violently distorted by the airflow, with clearly visible fabric folds. The background shows Earth's curved surface and an entire swirling typhoon cloud system.

Effect: A ring of white sonic-boom vapor bursts around their body.

Camera position: Track from the rear side. The wide-angle lens makes Earth's arc appear more curved as they fly forward and shrink into a tiny black dot within two seconds.

[00:15-00:17] Shot 7: Journey to the Moon (40mm / Speed Trails + Star Streaks)

Earth's surface rushes past and transforms into radial streaks, then cut into black space: The main character @Image 1 leaves radial speed lines behind while rushing toward the distant Moon, with the background stars stretching into thin lines. The Moon rapidly grows larger in frame, and its cool white moonlight creates a horizontal blue anamorphic light streak across the lens.

[00:17-00:19] Shot 8: Skimming the lunar surface (40mm / Low Skim)

The main character @Image 1 enters from the left side of the frame; the right side shows an extreme close-up of the Moon, with the edges of its craters cut by hard side light. They dive toward the lunar surface and skim rapidly just above it; the surface rushes backward below as radial motion blur, leaving a long trail of dust behind.

[00:19-00:21] Shot 9: Landing on the Moon (50mm / Impact + Dust Settle)

The main character @Image 1 slams into the lunar surface. At the moment of contact, the image flashes white for one frame, and a circular shockwave pushes the lunar dust outward into a disk while the camera is jolted.

After the dust slowly settles in the low gravity, they stand at the center of a crater, both hands hanging at their sides without moving, with a huge planet hanging in the sky.

Light: Hard light without atmospheric scattering, with only one light source; the inside of the shadow is pure black with no fill light.

Camera position: Slowly pull back and tilt downward.

[00:21-00:23] Shot 10: Pushing off to take flight (100mm close-up → wide angle / Low-gravity Launch)

100mm close-up: The foot of the main character @Image 1 presses into cracked lunar soil, casting a long, hard black shadow; shallow depth of field softens the distant crater wall. The texture of the lunar soil particles is clearly visible.

After 0.3 seconds of slow motion, cut to full speed: They suddenly push off and launch into the air, sending lunar dust into a vertical column shooting skyward. Under low gravity, the column slowly spreads outward and remains suspended for a long time. Then cut to space: Their silhouetted back appears above the Moon's arc and rapidly shrinks into a point of light.

[00:23-00:24] Shot 11: Passing an orange planet (85mm / Wide Pass)

Cut to the arc of an orange-yellow planet, with a thick atmosphere glowing around its edge. The main character @Image 1 becomes a tiny black dot speeding over the planet; the telephoto compression makes the planet appear enormous while the person is almost invisible.

[00:24-00:27] Shot 12: Breaking through the asteroid belt (40mm / Behind-the-back Tracking)

Image: The back of the main character @Image 1 is locked in the center of the frame, body leaning forward and both arms swept backward as they speed through dense asteroids, narrowly scraping past them. Several asteroids are smashed apart, with fragments flung outward in all directions.

Camera position: Third-person tracking from behind, with the camera always locked behind them. Asteroids rush past both sides of the frame, creating intense radial motion blur; the anamorphic lens stretches rocks at the edges into long streaks, while each impact causes a slight camera shake.

[00:27-00:29] Shot 13: The Sun appears (40mm / Anamorphic Flare + Crash Zoom)

Breaking out of the asteroid belt, a glowing point of light appears in the darkness ahead, with a horizontal widescreen lens flare running across the entire frame.

Camera position: The camera rapidly pushes forward; within two seconds, the Sun grows from a point until it fills the frame, with prominences curling and whipping outward around its edge.

[00:29-00:30] Shot 14: Arrival (85mm / Continuous Push In)

The small silhouette of the main character @Image 1 hovers with their back to the camera at the exact center of the Sun's disk, which fills the entire frame, leaving only a pure black outline.

Light: Overexposed orange-white highlights spill from the edges of their body, burning a red-orange halation around the silhouette; film grain becomes more visible in the highlights.

Camera position: Continue pushing forward until the image freezes.

Sound effects: Wind through grass → one muffled thunder-like takeoff impact → thunderstorm rumble → rushing through the air → vacuum silence (only a low-frequency rumble remains) → the muffled sound of asteroids breaking apart → the low-frequency churning of the Sun's surface.