Chuyển động

Hoàn thiện phòng thô theo trình tự: thi công, đồ gỗ, nội thất và nghiệm thu ánh sáng

Video 15 giây ghi lại quá trình hoàn thiện phòng đọc từ nền bê tông: thi công bề mặt, lắp sàn và nội thất, rồi hoàn thiện ánh sáng trong không gian ngập nắng.

của @KrevixAiSeedance 2.0

Hoàn thiện phòng thô theo trình tự: thi công, đồ gỗ, nội thất và nghiệm thu ánh sángChuyển động
Tác giả
@KrevixAi
Model
Seedance 2.0

Prompt này cũng dùng được trên Higgsfield, vì nền tảng đó có sẵn model Seedance.

Prompt

---
schema_version: "public-prompt/v1"
case_id: "x-krevixai-2100846140182630767-browser-2100846140182630767-video-1"
model: "Seedance 2.0"
duration_seconds: 15
language: "zh"
validation: "passed"
---

# Sequential Completion of a Bare Room | Surface Finishing, Carpentry, Furniture, and Lighting Inspection — Seedance 2.0

This is a validated original example from Creative DNA. When using it, reinstantiate the subject, setting, props, and style while preserving the case’s causal structure anchors.

## Prompt

```text
Task: Create an original 15-second video. Use a fixed wide-angle view to show an empty concrete reading room, with two windows on the left and one door on the right. First apply warm-white plaster to the walls and finish the ceiling, without blocking the windows or doorway. Lay oak flooring from the windows toward the door, then assemble a walnut bookcase and low counter against the far wall. Only after the fixed construction work is complete, bring in a cream-colored sofa, two brown chairs, a rug, and a low table; do not move the room’s geometry. Install three pendant lights, draw sheer curtains, add books and one plant, and finally hold on the fully sunlit space.
Total duration approximately 15 seconds; control only the overall information density, without assigning seconds to individual shots.
Shot 1: Establish the subject, baseline state, and reusable spatial axis in a fixed medium-wide shot; do not cut before the establishment is complete. Use a fixed wide-angle view to show an empty concrete reading room, with two windows on the left and one door on the right. This shot performs only one clear action, and its visible result continues seamlessly into the next shot. Do not use an unmotivated cut as a substitute for action. Original cinematic design, consistent adult character identity, clear physical relationships between actions, spatial continuity, restrained refined lighting, no copying of source brands or text; <original environmental sound><clear action feedback>.
Shot 2: Make one slow push-in or short tracking move along the existing direction of action, so the triggering action and its first reaction are readable at the same time. First apply warm-white plaster to the walls and finish the ceiling, without blocking the windows or doorway. This shot performs only one clear action, and its visible result continues seamlessly into the next shot. Do not use an unmotivated cut as a substitute for action. Original cinematic design, consistent adult character identity, clear physical relationships between actions, spatial continuity, restrained refined lighting, no copying of source brands or text; <original environmental sound><clear action feedback>.
Shot 3: Cut to a medium close-up or macro shot to verify key materials, contact points, or changes of state, while retaining an existing spatial anchor. Lay oak flooring from the windows toward the door, then assemble a walnut bookcase and low counter against the far wall. This shot performs only one clear action, and its visible result continues seamlessly into the next shot. Do not use an unmotivated cut as a substitute for action. Original cinematic design, consistent adult character identity, clear physical relationships between actions, spatial continuity, restrained refined lighting, no copying of source brands or text; <original environmental sound><clear action feedback>.
Shot 4: Track laterally or orbit slightly along the same axis, reconnecting the changed detail to the complete subject and environment. Only after the fixed construction work is complete, bring in a cream-colored sofa, two brown chairs, a rug, and a low table; do not move the room’s geometry. This shot performs only one clear action, and its visible result continues seamlessly into the next shot. Do not use an unmotivated cut as a substitute for action. Original cinematic design, consistent adult character identity, clear physical relationships between actions, spatial continuity, restrained refined lighting, no copying of source brands or text; <original environmental sound><clear action feedback>.
Shot 5: Pull back steadily to show the complete result and its original spatial relationships, then hold briefly to confirm the final state. Install three pendant lights, draw sheer curtains, add books and one plant, and finally hold on the fully sunlit space. This shot performs only one clear action, and its visible result continues seamlessly into the next shot. Do not use an unmotivated cut as a substitute for action. Original cinematic design, consistent adult character identity, clear physical relationships between actions, spatial continuity, restrained refined lighting, no copying of source brands or text; <original environmental sound><clear action feedback>.
Overall style and image quality: Original cinematic design, consistent adult character identity, clear physical relationships between actions, spatial continuity, restrained refined lighting, no copying of source brands or text; preserve causal order, subject continuity, and one primary camera move per shot. Transfer only abstract mechanisms; do not reproduce the source’s surface details.
Constraints: Implement only the currently declared original instance; do not add undeclared characters, props, locations, text, or shot order. Keep the declared subject, material carriers, and spatial anchors consistent throughout. Do not reproduce source-specific identities, clothing, locations, brands, original wording, graphics, or composition.
```

## Usage checklist

- Preserve causal mechanisms and structural anchors; do not reproduce source characters, locations, props, composition, or signature effects.
- Check subject identity, spatial relationships, event order, camera-movement roles, and final state.
- For a new use, return to [Creative DNA](../creative-dna.json) to reinstantiate.